
日本知名audiovisual藝術家Ryoichi Kurokawa(黑川良一)09年依然活躍於世界舞台,
黑川擅長以複合影像輸出表現聲音與影像的細緻關係,
視覺風格抽象而富想像空間,
構圖和段落都為常給人印象冷冽距離的科技藝術增添幾許數位詩意。
已連續幾年造訪台灣的他,
今年目前為止還未聽到他有來台演出的計畫,
透過以下幾段影片了解黑川良一的新作也感受其新的live audiovisual set!
RHEO(2009)
黑川09年的新作, 由比利時Cimatics Platform出資製作,
今年三月於法國VIA Festival首演,
現場以環場5.1聲道與三組9:16投影幕進行演繹,
作品名稱“RHEO“出自希臘哲學家Heraclitus of Ephesus的名言 "panta rhei",
意思是"everything is in a state of flux"(萬物皆存在於一種流體狀態)。
Ryoichi Kurokawa @ClubTranceMediale 柏林
從這段影片紀實裡可以明顯看見黑川的現場輸出屏幕較以往在台灣看到的雙面投影來得更多也更寬廣!
也從另一攝影視角近距離感受這為來自大阪性格小生現場演出的樣貌!
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Comments (7)

eL
said:
|
呃、aka, panta rhei 大致上直譯應該是 everything flows- 一切事奔流 or all is flux -一切皆不斷地變遷 此意念是亞里斯多德也作為他自身學說總稱的Panta Rhei【萬物流轉】 --萬物似水川流不息,似火般不安定,一切萬有都在變動;萬物流轉,無物永存。 你上canon-europe的web site http://cpn.canon-europe.com/content/video/video_profile/ryoichi_kurokawa.do#container 把這篇文章看過、也許你會比較了解Ryoichi San的觀點。 其中 So I was very interested in recording movement in nature and combining it with graphics and sound. 紀錄下所存在世界的用意是指涉物質本身的虛無狀態、而非關注物的動態 接近日本美學很重要的觀點: 侘(wabi) 寂(sabi),以容納和驗證“無常“ 美跟創作的意義在於背後的意念本質、而非精巧絢麗的形式。 對他的作品也許可以用下面解釋 Pare down to the essence, but don’t remove the poetry. Keep things clean and unencumbered but don’t sterilize . 因為我上個月剛好寫信跟他聊到這個他的新作, 所以我想對於這樣的謬誤忍不住要跟你說一聲。 |
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